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Monday, March 11, 2019

Is Claudius Presented by Shakespeare as a Tragic Villain Without Any Redeeming Features? Essay

As the King, Shakespeare presents Claudius as an able ruler who is trying to prove his worthiness to his court. This is apparent in Act 1, mental picture 2 in Claudius first step deliverance. Claudius hind end be recovern as being sincere in this speech as he mentions the death of his crony bear our hearts in grief (page 15) and he also states that the country is contracted in one brow of excruciation (page 15). His linguistic process could be taken as heartfelt in his opening speech as he nones attested sorrow over his br otherwises death.This is a redeeming feature as he appears to olfactory property love towards his brother for mentioning him as he takes his place as King. The language Shakespeare uses in Claudius opening speech is dismissive about the threat that Denmark whitethorn face from Norway due to Fortinbras So much for him (page 17). This is because he wants to display his sanction as a leader and to calm the listeners. This contri onlyes to Claudius redeem ing features as he appears to be considerate towards the ruleings of those within the court. He does not wish to irritation them and therefore comes across as an able leader.It whitethorn be construe that Claudius is inferior to his predecessor and is trying to provide the court with the reassurance that he can follow on from the previous King. Hamlet states that Claudius is no more give care my father/Than I to Hercules (page 25). This imagery that Shakespeare uses shows the previous King as a stern warrior in the mold of classical Greek heroes. In contrast, Claudius is a corrupt politician whose weapon is his ability to manipulate others finished his squeamish use of language. Shakespeare structures juxtaposition between the pose of Act one, shooter ne and Act one, Scene deuce in severalize to show a contrast in the reality and the pipe dream in Claudius mind. Act one, Scene one takes place outside the castle at the dead of night. This poor fallacy creates a foreboding and intense atmosphere, al well-nigh predicting the appearance of the tincture. The touching represents the harsh reality that Claudius has to face and the sympathy for his feelings of offense. Act one, Scene two contrasts with the previous scene as it takes place inside the castle, with Claudius at the centre. This is Claudius dream situation, that he is King of Denmark with Gertrude as his sissy.The dramatic change in setting between scenes makes Claudius appear more oblivious to the consequences of his actions, as he is like a shot centre of attention as King. This disillusion that Claudius appears to be in may deter the audience, as he cannot accept the effect of his actions. Unlike the majority of speeches throughout the play, Claudius opening speech deviates from iambic pentameter. This reflects the disorder that Claudius has created because of the murder. Court action would ordinarily have order and tranquillity and the structure of Claudius speech does not reflect t his.However, it can be seen that Claudius is trying to restore order through his speech as he settles the court over the threat of Fortinbras So much for him (page 17). However, this is conflictingly as Claudius actions led to the destruction of many other characters and does not restore order. The fact that the speech itself does not conciliate in with the common Shakespearean structure of iambic pentameter, could reflect that Claudius himself does not fit in as the King of Denmark as he disrupts the divine power structure.Claudius disrupts the strand of Being, a hierarchy derived from Aristotle and Plato this would have been followed during the Elizabethan time period. At the go across of the chain are God and the angels whilst at the bottom are plants and rocks. Claudius disrupts the hierarchy as he takes the place of the previous King by marrying the Queen and not being next in line to the throne for which I did the murder/My hood, mine own ambition, and my Queen (page 165 ). This can be interpreted as a baddieous act that was committed purely for the pull together of Claudius.Such an act would be regular of a tragic villain as his acts lead to the downfall of the other characters. For example, Claudius actions lead to Hamlet receiving a visit from the Ghost and therefore feigning his madness in order to, eventually, avenge his fathers death. However, it is possible that Claudius is not a typical tragic villain. Claudius appears to feel guilt for murdering his brother, which is clear from his soliloquy in Act one-third, Scene three My stronger guilt defeats my strong intent (page 163).His attempted prayer proves he cannot be wholly evil if he seeks forgiveness for his sins. He does this although he is not a religious man Bow stubborn knees (page 165), which suggests he feels boneheaded guilt and resentment over his actions for him to turn to religion for forgiveness. This is not typical of tragic villains, who tend not to be religious or feel any resentment for their behaviour. This could show that Claudius wishes to be saved from going to pitfall later on his death, which would not be a typical concern of a Shakespearean villain. Claudius also creates peace with the other characters.For example, in his opening speech in Act one, Scene two, he is trying not to disquiet the court about the potential threat of Fortinbras, and in Act four, Scene five, Claudius tries to calm Laertes rage rather than encourage him to kill Hamlet. Such actions would not be typical of Shakespearean tragic villains, such as Iago from Othello. Iago feels no guilt for his actions against Cassio, Othello and Desdemona and is aware of the pain he is inflicting onto others. His actions against Othello also appear worn out as it is never revealed why he dislikes him and wants him to suffer so much.Claudius is unlike Iago as he does feel guilt and his actions are indeed purposeful. Whereas most of the other important men in Hamlet are inattentive wit h ideas of justice, revenge, and moral balance, Claudius actions are focused on maintaining his power. Although Claudius is Hamlets antagonist, he does have a number of redeeming features. He appears to have genuine affection for Gertrude, as one of the reasons for the murder of the King was to marry her My crownand my Queen (page 165). This also comes across in Act five, Scene two, as when Gertrude is about to drink the poisoned wine, he tells her do not drink (page 281).Claudius is aware of the affection Gertrude feels for Hamlet and when trying to be rid of him, considers her feelings That as the sensory faculty moves not but in his sphere/I could not but by her. (page 223). The imagery that Shakespeare uses is very unlike Claudius character and more quasi(prenominal) to Gertrudes. The imagery of spheres, that at the time where believed to revolve around the Earth containing heavenly bodies, shows that Claudius has love for Gertrude and could not live without her. Claudius al so appears to care for Hamlet to slightly extent.He appears to be concerned for Hamlets well-being, as he brings in Rosencrantz and Guildenstern in order to work out the cause of his shifting (page 77). However, some may argue this is just an excuse for Claudius to discover whether or not Hamlet may know the truth of his fathers death. He thinks Hamlets madness is More than his fathers death (page 77) and therefore wants to uncover the reason behind it. It can be seen that Hamlets madness is feigned and he does this purposely to see if Claudius is becoming suspicious of his actions.For example, in Act three, Scene two after witnessing Claudius outburst when the Player King is killed, Claudius demands for the lights Give me some light external (page 153). This could be seen as an expression of emotion as Claudius feels tremendous guilt over his brothers death or as a way of not allowing anyone else to gain suspicion in him through the play. separate interpretations of Claudius that the audience receive are from the other characters. Shakespeare presents grotesque and vile imagery used by Hamlet and the Ghost to describe Claudius.When Hamlet sees the Ghost in Act one, Scene five, the Ghost uses imagery of disease and turpitude to describe Claudius and his actions Ay, that incestuous, that adulterate beast (page 51). Shakespeare uses the word beast in origin to a cuckold. In Elizabethan times, if a woman were to have an affair, the husband would be known as a cuckold with horns to represent their craziness in losing their wives. This imagery contrasts with the audiences first interpretation of Claudius where Shakespeare presents him as a competent leader.This is the only alternate view that the reader receives in the play as both Hamlet and the Ghost have reason for hating Claudius. The view that Shakespeare gives them will have been fogged by their hatred of him and not give a fair representation of Claudius character. To conclude, Claudius is not a t ypical tragic villain due to his feelings of guilt and his consideration of others. The representation the reader receives from other characters is not a fair interpretation due to their abuse of him. Bibliography Heinemann Advanced Shakespeare Hamlet sparknotes. com sirbacon. org F. C. Hunt interpretation

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