Comparing the Black Album and Rushdies The Satanic Verses Essays

The blackamoor album and Rushdies The goddam Verses British writer C.C. Colton once claimed, Men will brawl for religion write for it fight for it die for it anything but--live for it (Copeland 345). Indeed, if nothing else, Hanif Kureishis The pitch-black phonograph album shows the depths to which people concern themselves with enquires of religion, ethnicity, and the indistinguishability operator associated with them. Kureishis themes and symbolism work within a larger context of the politics of individualism, race, and nationality. Salman Rushdies The Satanic Verses and the larger sacred question associated with it, serve to polarize the British community between Muslims and non-Muslims, as closely as to polarize people back up liberation and those supporting containment. feature with other cultural references, Kureishi uses the literary allusion to create his themes and symbolism. The question of the racial, religious, and socioeconomic identity of Shah id becomes a central question posed as Shahid undergoes variant from his Pakistani ancestry to his desired identity as a Briton. Shahids definition parallels the translations of the causality Asian colonies of Britain into their new postcolonial identities. Unfortunately for Shahid, the struggle over The Satanic Verses catches him as he is translating himself, presenting him with a series of tough choices. The quest for identity in Indo-English writing has emerged as a recurrent theme, as it is in lots of modern literature (Pathak preface). Indeed, often the individuals identity and his quest for it becomes so echo up in the national quest for identity, that the individuals search for his identity becomes allegorical of the national search (Pathak pr... ...pular Quotations for All Uses. garden City, bare-assed York Garden City, 1942. Gorra, Michael. after Empire Scott, Naipul, Rushdie. Chicago U of Chicago P, 1997. Kureishi, Hanif. The Black Album. bare-ass York Simon, 1995. Lings, Martin. Muhammad His feeling Based on the Earliest Sources. Revised edition. Bartlow, Cambridge, UK Islamic Texts Society, 1991. Pathak, R.S., ed. indicate for indistinguishability in Indian English Writing. New Delhi Bahri, 1992. Rusdie, Salman. The Satanic Verses. firstborn beak Book edition. New York Henry Holt, 1997. Saynor, James. Rev. of The Black Album, by Hanif Kureishi. The New solon & Society, March 3, 1995, p. 40(2). Wilkie, Brian, and James Hurt. Literature of the Western World. 2nd edition. In Galloway, Stan. The theatre of operations of Bernarda Alba. http//www.bridgewater.edu/sgallowa/203/alba-notes.htm, April 26, 1999. Comparing the Black Album and Rushdies The Satanic Verses EssaysThe Black Album and Rushdies The Satanic Verses British writer C.C. Colton once claimed, Men will wrangle for religion write for it fight for it die for it anything but--live for it (Copeland 345). Indeed, if nothing else, Hanif Kureish is The Black Album shows the depths to which people concern themselves with questions of religion, ethnicity, and the identity associated with them. Kureishis themes and symbolism work within a larger context of the politics of identity, race, and nationality. Salman Rushdies The Satanic Verses and the larger religious question associated with it, serve to polarize the British community between Muslims and non-Muslims, as well as to polarize people supporting liberation and those supporting containment. Combined with other cultural references, Kureishi uses the literary allusion to create his themes and symbolism. The question of the racial, religious, and socioeconomic identity of Shahid becomes a central question posed as Shahid undergoes translation from his Pakistani ancestry to his desired identity as a Briton. Shahids translation parallels the translations of the former Asian colonies of Britain into their new postcolonial identities. Unfortunately for Shahid, the struggle over The Satanic Verses catches him as he is translating himself, presenting him with a series of tough choices. The quest for identity in Indo-English writing has emerged as a recurrent theme, as it is in much of modern literature (Pathak preface). Indeed, often the individuals identity and his quest for it becomes so bound up in the national quest for identity, that the individuals search for his identity becomes allegorical of the national search (Pathak pr... ...pular Quotations for All Uses. Garden City, New York Garden City, 1942. Gorra, Michael. After Empire Scott, Naipul, Rushdie. Chicago U of Chicago P, 1997. Kureishi, Hanif. The Black Album. New York Simon, 1995. Lings, Martin. Muhammad His Life Based on the Earliest Sources. Revised edition. Bartlow, Cambridge, UK Islamic Texts Society, 1991. Pathak, R.S., ed. Quest for Identity in Indian English Writing. New Delhi Bahri, 1992. Rusdie, Salman. The Satanic Verses. First Owl Book edition. New York Henr y Holt, 1997. Saynor, James. Rev. of The Black Album, by Hanif Kureishi. The New Statesman & Society, March 3, 1995, p. 40(2). Wilkie, Brian, and James Hurt. Literature of the Western World. 2nd edition. In Galloway, Stan. The House of Bernarda Alba. http//www.bridgewater.edu/sgallowa/203/alba-notes.htm, April 26, 1999.